Good Omens by Terry Pratchett and Neil Gaiman is a novel I have read and reread, over and over. If you read the introduction to the current edition, you’ll see that I’m not the only one. Some of the copies the authors were given to sign over the years have been battered beyond belief, dropped in the bathtub or even fallen apart completely. Where there was a shiny new copy, it was usually because the owner had lent it out and never got it back.
A few years ago, there was a radio play, which I own, and have mentioned in a previous post. I’ve just discovered that Mark Heap, who played the angel Aziraphale in that, was the villainous Robert Greene in Upstart Crow! It was wonderful, but people were waiting and waiting to see the characters. It has nearly happened in the past, but not actually hit the small screen until May 31 this year. I’m on Twitter, so I was able to follow Neil Gaiman’s tweets about the filming process. Everyone was so excited!
Only problem is that as Amazon had paid a large chunk of the budget - the BBC certainly couldn’t afford to do it the way it needed to be done - you had to be a member of Amazon Prime to watch it right now. It will be several months till the BBC shows it, and some time after that, I suppose, the rest of the world. I resigned myself to having to wait about a year.
I’ve never been a member of a streaming service and assumed you needed to have wifi(I don’t, yet - long story!). But I did some research and no, you don’t need wifi, though it does take up a lot of download. However, I could do it on my iPad and watch it in bed and I now have the Optus app that lets me know how much I’ve used. It was, I decided, worth recharging my download. So I got the Amazon Prime app and subscribed($4 a month, not a lot). And all went smoothly. It won’t be wasted, either - I’ve just started to watch American Gods, another Neil Gaiman story, after a recent reread.
Was it worth the effort? Absolutely! It was perfectly cast, especially the two leads. The dialogue was mainly taken from the book, though there was extra from a sequel that was planned and never happened. The demons Hastur and Ligur had extended roles - in the novel they appeared about twice, once to hand over the Antichrist baby and once when they were sent to collect the disobedient demon Crowley. This way, they were truly scary instead of comical. There was at least one scene I hadn’t expected to be used, the call centre one where Hastur appears from out of Crowley’s answering machine line and devours a whole room of telemarketers, ending with “I needed that!” It was used, though in the novel the telemarketers are restored on the day after Armageddon, having lost a day. Oh, and you get to see the delivery man who was delivering parcels to the Horsemen of the Apocalypse at home with his wife, though he was younger - and taller - than I imagined him from the book.
The Archangel Gabriel was every smarmy boss you have ever loathed: charming, handsome - and thoroughly nasty. He wasn’t in the novel either, just mentioned once, but was going to be part of that planned sequel. It was interesting to see that Heaven and Hell were basically part of the same building, a skyscraper, with escalators going up and down. Heaven was a shiny office space, while Hell was something out of the Cold War Soviet Union - in one scene Hastur is held up by having to hold a bucket under a leaky ceiling, and no sign of a tradie! You didn’t see the two sets of headquarters in the novel, but it worked for a visual version.
Mostly, what garnered all the good reviews was the development of the friendship between the angel and the demon, both representing their respective worlds for 6000 years and realising they have more in common with each other than with the places they come from. That, of course, was in the novel, but in a six part series you can show it. It got a half an episode, in which you saw the two of them meeting through different periods of history, including one in Shakespeare’s Globe Theatre, where they are among only a handful to be seeing Hamlet. There was a scene in London 1941, in which Crowley rescues Aziraphale from Nazi spies by running into a church, despite the pain in his feet - holy place, you see! In fact, some reviews were saying that the friendship story was so good that the rest was boring. Untrue! It was all great!
Michael Sheen and David Tennant were brilliant in their roles, no question about it. So were the other cast members, especially John Hamm as the dreadful Gabriel, but without these two it just wouldn’t have been the same.
I loved the touches of Douglas Adams and Monty Python in the animations. Of course, you would have had to see those in their time to get it - the film version of Hitchhiker’s Guide To The Galaxy was missing those bits.
There is something special when a book you have loved is made into a film and it is every bit as good as you hoped it would be. It did help that one of the two authors was so deeply involved.
If you haven’t read the novel, I do recommend doing that before you see the series. It’s not that you can’t enjoy the show without it, but there is so much extra in the series that if you do decide to read the book, you may be disappointed that your favourite bits aren’t there. It’s not a long book - read it first! You won’t regret it.