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Saturday, December 28, 2013

Historical Research And Year 8


I've been ordered to teach Year 8 history this coming year. It's not that I know nothing about history, I know plenty, especially about the Middle Ages and Renaissance, the eras being studied, but teaching it? How?

One thing we're apparently supposed to do is teach the difference between primary and secondary sources. Here I'm on firmer ground. But how many primary sources do we have for the Middle Ages that you can teach to thirteen year olds?

So I have decided to start the year with other primary sources, just to give them an idea.  I've got some newspaper articles from the 1960s about the Beatles visit to Melbourne. I've also discovered the joys of Trove, the National Library site that is in the process of digitising newspapers from 1803 on and the Women's Weekly between 1933 and 1982.

The Weekly is my primary source of choice. I picked a PDF of the issue for September 16 1939, which I can put on USB stick and show on an interactive whiteboard. There's a cover with a cute picture of a baby. So what, I might ask, was happening in September 1939? A student with an iPad can look it up: the beginning of World War II. Priorities? But this is a women's magazine. You aren't going to put a picture of a soldier on the cover or even the PM. And the first article is all about how women should be keeping busy and the author's mother had eight kids and never bought a cake or used an electric iron and did fine. There are photos of happy housewives cleaning.

Flipping further into the issue, you do find references to the war. There's a lot of human interest stuff - a letter from a girl in Poland assuring her mother she'll be fine(despite the Nazi invasion), pictures of cute kids being evacuated from London to the countryside, advice on stocking your medicine cabinet and how you, as a woman, can contribute to the war effort.

There is also plenty of fiction, knitting patterns, movie reviews(Wuthering Heights with Laurence Olivier gets a good one), fashion photos, an article about those cute kids Mickey Rooney and Judy Garland and ads for feminine-themed products. - soap, face powder, corsets, floor polish, baby formula.

And I love it. If I was writing a story set in Australia in the 1930s, this magazine would tell me how ordinary people lived, what they fantasised about, how much stuff cost in those days, what was on at the movies...

I will also look for some secondary sources:"Daily life in Australia in 1939" perhaps.

I may show them some of the research I did on the Beatles visit to Melbourne in 1964; you can now save newspaper articles to your USB stick at the State Library, and I did.

When I do have to get on to the Middle Ages, perhaps images will do some of the primary sources for me - peasants in the fields, a feast in the castle, war, there are illuminated manuscripts for them all.

For Vikings, there's that Arab traveller who describes the Vikings in Russia as the dirtiest people he'd ever seen, must find that on line somewhere... He also describes a funeral for a chieftain, very gruesome, including a human sacrifice of a slave girl who ends up being killed to keep the chieftain company in the Otherworld, AFTER some other horrible things, but I'm not sure I'd be allowed to show them that. They'd like the bit about dirty Vikings, though.
Can I persuade them that history is important? That research is worth doing?

Let's see how it goes.

Friday, December 27, 2013

The Creature Department by Robert Paul Weston. New York : Razorbill,2013

Elliot von Doppler lives with his restaurant critic parents in the small town of Bickleburgh. They can't cook themselves but expect him to give a review to all his meals. Not much happens apart from his having to review burnt toast, until he receives an invitation from his loopy uncle Archie, who works as an inventor for one of the world's biggest technology companies, DENKi-3000, oddly located in nothing-ever-happens Bickleburgh. He is to bring new girl and fellow science nerd Leslie Fang, whose mother drags her from town to town, leaving as she becomes bored, but now living with grandfather Famous Freddy above Famous Freddy's Dim Sum Emporium, which does wonderful dumplings but has very few customers. It does, however, manage to survive because of regular orders from the mysterious R and D Department at DENKi-3000 - the department led by Uncle Archie. Leslie and Elliot are about to discover just who is enjoying all that wonderful takeaway Chinese food...and that the company faces takeover by the evil Quazicom if there isn't a fabulous new product to show at the next shareholders' meeting.

Think Charlie And The Chocolate Factory with a huge variety of creatures instead of Oompa Loompas, with a just a touch of Odo Hirsch, and without Willy Wonka - Uncle Archie is a genius, but not quite in the same way. The creatures aren't just minions, they participate in the design and creation of such things as TransMints(Get Your Freshness Direct From The Web). I also thought of Jim Henson's muppets.

There's a charming silliness about the whole novel(imagine getting away with being smuggled past security disguised as a giant pork dumpling! Not to mention the "expectavator", a lift staffed by a sort of worm who goes down by thinking about his divorce and up by making travellers feel hopeful) that children should enjoy.

There are some loose ends in the final scenes that make me wonder if a sequel is intended. We'll have to see. The art was delightful, though I'd like to know who the illustrator was, if it wasn't the cover artist. Just one thing: while I expect primary children to enjoy the story, there are some words rather too long or at least too hard for the average child and certainly too long for reluctant readers. Hopefully, this will change in any sequel that might be written. And I think there will be - there is too much character and world building to leave it at one novel.

Meanwhile, recommended for mid/late primary school readers and early secondary.


                                           

For more about this novel, including delightful pictures and descriptions of  the various creatures in this novel, go to www.thecreaturedepartment.com

Thursday, December 26, 2013

Boxing Day Blockbuster - The Hobbit Part 2

I won't go far with this, as there will be too many spoilers, but yesterday I took my nephew Max and his cousin Dezzy to see The Hobbit : The Desolation Of Smaug at the Classic Cinema in Elsternwick, near my mother's place. Max went with me last year. He loved the first part; this time, he said he preferred Jackson's early work(Max is fifteen and writes a film appreciation blog), adding that the Orcs looked a lot like creatures in one of Peter Jackon's earlier films.

There was a lot to like about this film, though I think the Orcs are overdone, with too much of an effort to link it with LOTR. I like the fact that some, at least, of the Dwarves have individual personalities, expanded still more in Part 2. The casting is generally very good - well, if Thorin is just a bit too hot, as are his nephews, for a Tolkien story,  I am a lady who likes male eye candy and Richard Armitage also has a beautiful speaking voice and I adore men with beautiful voices. One with both - yum!

But Martin Freeman is absolutely right for Bilbo.  As soon as I heard he'd been cast in the role, I thought of his role as Arthur Dent, another man who is dragged kicking and screaming out of his comfort zone, and knew he could do it.

And Stephen Fry was a deliciously nasty Master of Laketown, who certainly enjoyed himself in the role.

The first film was relatively close to the novel; this one has moved a fair distance from it. Again, I won't  go into much detail due to spoilers - I think anyone who has been following the series knows, anyway, about the invented Elf shield maiden Tauriel and that Legolas appears in his father's woodland kingdom. I'd like to add that he isn't the nice Elf  we meet in LOTR and it's hard to imagine him eventually having a Dwarf as his best friend, though he does get to see a portrait of  "Ma wee lad Gimli"  taken from Gloin when the Elves capture the Dwarves in Mirkwood.

But there are other scenes where I thought, "Oh, nooo! You can't DO that!" and I suspected that Tolkien would have done the same.

It was visually stunning. Certain characters had their roles expanded, but that was okay and mostly necessary. There was a lot of action, including in the Lonely Mountain. Thorin is definitely getting darker - I do hope he will be allowed that wonderful final scene where he says that the world would be a better place if more people liked good food and drink and such ordinary things. Because in the end, no matter how many aristocrats and epic heroes he sends running through his fiction, it's the ordinary people who are Tolkien's real heroes.

No point in seeing this film if you haven't seen the first or at least read the book and if you have done either or both, you'll probably go to see this one anyway. Then wander back and share your thoughts here.

Anyone else got any comments to make about this film? Especially if you've read the book?





Tuesday, December 24, 2013

Just Watched...The Hobbit Director's Cut

This time last year I went with my nephew Max and a friend with her son to see part 1 of The Hobbit movie. Afterwards, Max leaned back with a sigh and said he wanted to sit there till the next movie started.

I know how he felt. A beautiful piece of film making and if they added stuff and sneaked in Radagast the Brown with a chariot pulled by rabbits...well, it was Sylvester McCoy, who was perfect for the role and I could pretend he'd been in LOTR. And Thorin Oakenshield was a lot younger and sexier than Tolkien's, but he was brilliantly portrayed by Richard Armitage. So what? Aragorn was also younger and sexier-looking than Tolkien's and we ended up accepting him.  And the Dwarves all had individual personalities, well thought out. And the film was made by people who loved Tolkien.

But there were things that don't quite make sense. The second time around, I could see that they were there for a reason that will become clearer in the rest of the movie, if you think of it as one very long film instead of three. Better still, the director's cut, which I watched tonight, slipped in some more stuff that made sense of the rest. I won't issue any spoilers here.

Not that I mind some spoilers for myself. See, I bought a large number of volumes of the History Of Middle Earth, which are tons of bits and pieces Tolkien wrote but that didn't make their way into the novels. For example, Gimli mentions that he was around during the quest of Erebor(The Hobbit to you and me) but was too young to be taken along, only sixty years old. There's a scene from the meeting of the White Council, where Gandalf is having a smoko during a break and Saruman says rude things about his smoking this hobbit substance which is affecting his brain cells and Gandalf tells him to lighten up(which maybe he does, since Merry and Pippin discover that stash of Longbottom Leaf in his tower). And Gandalf describes his first meeting with Thorin at the inn in Bree - a scene I've read will be in the next movie, which I'm going to see on Thursday. Nice!

I know it's not quite The Hobbit as we know it, but there's quite a lot that is still Tolkien.

I, for one, can't wait.

Sunday, December 22, 2013

Path Of Night by Dirk Flinthart. Fablecroft Publishing, 2013

After being killed horribly by a creature out of a horror movie, medical student Mick Devlin  wakes to find himself in the morgue and, soon after, on the run. He had cut himself on an exploding vial of some mystery substance being studied by a now-dead scientist working at the hospital and, as well as coming back to life he now has super speed and strength and sharp night vision. Thing is, as he discovers, he's supposed to have turned into a cannibalistic monster like the one who killed him, but the only side effects appear to be a tendency to burn easily in the sun and eat a lot - ordinary food, not human flesh.

With a grumpy female police detective right out of a noir novel, he tries to find out what's going on - not easy when being hunted by two top secret societies which have the government's ear. 

There are many of the typical elements of an airport paranormal thriller - secret societies, a mysterious substance discovered on an archaeological dig, a cop who's been told to drop the case, nonstop action, explosions, characters being badly injured but somehow soldiering on after a bit of first aid, gruesome killings. Somehow, though, it all works. Unlike many of those thrillers, the main characters are likeable and there are humorous elements, such as waking in an evil society's lab strapped to a gurney to find, not a gloating villain, but three innocent doctors who haven't a clue they're henchmen or that he isn't a mental patient needing shock therapy, arguing over having to use code names. And unlike in The Da Vinci Code, most characters do stop to eat and sleep, not only the perpetually famished Mick. 

Definitely a change from Dirk Flinthart's usual swashbuckling fantasy, but still, action adventure. I read it over a weekend. 

Read it on the beach, but make sure you're not too close to the water or you might get caught by the tide.


Available as either ebook or print on line directly from Fablecroft Publishng, whose publisher and editor, Tehani Wessely, has been interviewed on this site, or, if you live in Australia, you can also buy it in the dealers' room at SF conventions..

Raven Flight by Juliet Marillier. Volume 2 Shadowfell trilogy. SydneyPan Macmillan, 2013

In Shadowfell, we met Neryn, a Caller. This means she can call the Good Folk(various varieties of what we would call fairies) and they must come. Unfortunately, in Alban, the alternate version of Scotland in which she lives, this is not an advantage. Anyone suspected of being "canny" - which can include especially good sight or skill in an ordinary thing such as spinning or archery - is hauled in by the King's Enforcers and Enthralled to make them loyal to him. But the process doesn't always work, leaving the victim a mindless wreck, such as Neryn's grandmother. No wonder she was on the run, first with her father, who died in a fire, then by herself and with double-agent Enforcer, Flint, who took her to a rebel group at Shadowfell, where she was made welcome as a potential weapon in their fight against the evil King.

Now, she must visit the Guardians, major Good Folk who can teach her skills she will need to help her in the fight against the tyrant without doing too much damage to any Good Folk she may Call. It isn't easy to reach them and in one case, the Guardian needs to be helped out of his own grieving for a dead child and lost wife before he can help her. He's been asleep for three hundred years, so it will be tough...

This is yet more powerful writing by the doyenne of folk tale-themed fiction Juliet Marillier. Nothing is ever easy, characters you care about can die, sometimes offstage while the protagonist is busy doing vital work elsewhere, love is not a good idea for rebels who may find it used against them if their loved ones are taken prisoner and the Good People who, in other novels of this kind, are not given much depth, are all too human, if you can call it that, with human needs and sorrows. They are long-lived - even the servants of The Lord Of The North have been waiting for him for three centuries, cooking and darning socks and watching his bed -  but can be killed and there's no "Halls of Mandos" for them to wait till they're simply reborn. Death is death, as for humans.

I like the Scottish flavour; I've only read her Irish-themed books before these. It's interesting to note that the Good Folk all speak with Scottish accents, nobody else does.

Just a warning, it ends on a cliffhanger. I'm not sure when the final volume, The Caller, will be out; I asked for this one to read while waiting. Be patient. Don't try to read this until you've read the first - but read it! The first novel, Shadowfell, has been reviewed on this site.

Boxing Day And Me


This was originally written as a submission for a Christmas-themed anthology before I realised the antho was aimed at children, so I'm working on something more appropriate for that(fingers crossed!) and this post is my contribution to the compulsory holidays blogging that everyone else seems to be doing. There's only one book mentioned, The London Ritz Book Of Breakfasts.


Boxing Day used to be a day out for the girls - Mum, my sister Mary and me. We went each year to the Treble Clef restaurant in Southbank for breakfast, then off to the Boxing Day sales, where I'd invariably buy a towel and some gifts for my gift box. Then there would be the Boxing Day blockbuster movie, after I'd seen Mum off on the tram.

After the Treble Clef closed, I invited Mum and Mary to my home for breakfast. I had a book, The London Ritz Book Of Breakfasts, I was keen to try. From it, I took recipes for Irish soda bread, fancy scrambled eggs and breakfast mocha made with melted chocolate and percolated coffee. I added fresh-squeezed orange juice, summer fruits and smoked salmon.

The next year, my father and my brother-law, Gary, asked to join us. The year after, my nephews arrived,  the elder one, David, with his two daughters in tow and the younger, Mark, with a baby bird fallen from the nest(we called someone to take it). That was before Mark married and became father of two delightful small boys.

I eventually got a larger table, one of those you can stretch, to make room for some of my extended family in the small living-room of my flat - and even that table was too small for everyone; we crammed in.

 It became a tradition. Each Christmas Eve I would shop for the ingredients of my family breakfast: smoked salmon, ground coffee for the percolator, a bag of oranges to squeeze for juice, the ingredients for my Irish soda bread, which I only baked once a year, but did well, fresh summer fruits such as watermelon, cantaloupe, peaches, apricots and various berries. (David's two little girls, Dezzy and Rachel, had never tasted raspberries and loved them). I made sure there were eggs for the scrambled eggs, and cheese for most of us, but not for my brother-in-law, who doesn't enjoy it. I gave up the mocha, as my mother thought it too sweet, so stuck with brewed coffee and tea. I'd do my shopping either at Prahran or Queen Vic market, good places to buy gourmet stuff and likely to be selling fruit cheaply at the end of the market day.

On Boxing Day I would get up early to bake bread, percolate coffee and set the table with goodies. The family would wander in at about 10 am, and enjoy the feast. My sister would comment that my bread was better each year. My brother-in-law was willing to delay his Boxing Day cricket to come along.

It ended when my father passed away. I had a simple, cut-down version of the breakfast for my friends Bart and Siu Ling a day before Dad died, and before I went to visit him in the hospital. Somehow, it just wasn't the same. Each year, we remember him at this time. I've gone back to Christmas Day beach picnics. I prefer not to party on New Year's Eve these days, remembering the storm on that first New Year's Eve after the funeral, though I might go to the Rocky Horror Picture Show if I'm in the mood.

But those years of the Boxing Day breakfast with my family, when I made a London Ritz gourmet meal for them, are a precious memory. I recall them with pleasure as well as sadness.

Wednesday, December 18, 2013

Just Finished Reading...

...the latest Benjamin January novel by Barbara Hambly. This is the twelfth in the series of historical crime novels that began with A Free Man Of Color. I love crime fiction anyway - not for nothing am I a Sister In Crime! And historical crime fiction is good fun. There are so many in which the sleuth is  a real character out of the history books, whether Shakespeare or Jane Austen, even Elizabeth I. I recently read one in which the heroine is Josephine Tey, author of the Inpector Grant series, though the actual crime solver is a weary police detective.

But this series has a fictional hero, Benjamin January, an African-American ex-slave who was educated by his mother's protector when he bought her and her children and freed them. He's a trained surgeon who studied and worked in Paris, but makes his living as a musician, which actually pays better, especially in 1830s New Orleans, where even the coloured community aren't comfortable with a coal-black doctor. However, he has family and friends, including policeman Abishag Shaw, a white man who wouldn't be allowed into Ben's mum's home for being so vulgar, and Irish musician Hannibal Sefton, who is suffering from consumption and plays a Stradivarius, suggesting his family background is a bit wealthier than his current poverty would suggest. (Actually, he's an aristocrat back home, as we discover in another novel). And Ben January is a first-class sleuth, for whose services people are prepared to pay.

This novel takes Ben to Washington, still a Southern city where any free black unlucky enough to be out after dark runs the risk of being kidnapped and sold, and everyone who dies runs the risk of being dug up by "resurrectionists" for sale to surgeons who want anatomy practice. A mathematician friend of his sister's protector's wife has gone missing. One of the characters is Edgar Allan Poe, who still can't make a living out of his writing and is in town looking for a job. I got the sneaking suspicion that Ben is something of an inspiration for Poe's private eye hero(he wrote the first detective fiction, long before Sherlock Holmes.)

I don't know how she does it, but somehow Barbara Hambly manages to keep up the quality even after twelve books. I pounce on these with a cry of delight as they appear and haven't yet been disappointed.

Tuesday, December 17, 2013

The Housewives Of Harry Potter

It's strange, really. There don't seem to be too many women in the universe of Harry Potter who are both professionals and married. Okay, Neville's parents were both aurors, but look what happened to them - both tortured into insanity. I think the author mentions somewhere that Ginny became a quidditch player, but it doesn't happen in the books themselves and frankly, I think it wouldn't be a good idea to go on playing that particular game during pregnancy and we know Ginny has been pregnant at least twice.

For now, let's talk about two housewives in this world. One is a witch, the other a very determined Muggle who's been throwing herself into Muggledom since she was turned down for Hogwarts.

I'm talking, of course, abut Molly Weasley and Petunia Dursley. Both are career housewives who make sure their homes are just right for their particular families, as they see it. Both love their husbands and children. Both are very good cooks.

But the differences are obvious from very early on and not just in the way they treat Harry.

You really wouldn't want to live in Petunia's house. It's sparkling clean, but only because she makes sure no one tracks mud on to her nice floor or lets anything go into the wrong place - a place for everything and everything in its place! It is the sort of home that would be showcased in Home Beautiful, but not because of its liveability. Dudley's second bedroom is a mess, full of his broken toys and unread books, but nobody sees this, so it doesn't spoil the look of her house. It's a house, not a home.
.

I think Dumbledore is right to say Dudley has been abused. Petunia adores him, but she lets him eat himself into obesity as well as become a bully. In the first novel, when he makes a fuss over the number of gifts he has, it's Petunia who offers to buy him two more, supporting his spoiled brat nature.

If Petunia ever did anything other than run a home, we aren't told. She relies on Vernon to make the decisions and protect the family and it's his career she supports.

Molly Weasley's home couldn't be more different. It's shabby, relaxed and comfortable. Part of this is because they don't have much money, but when the Weasleys won the Daily Prophet prize, the money was spent on a family trip, not on renovations. Family doing something special together had priority over making the house look nice.

Molly loves her family, but doesn't spoil the children. She is small, plump and kind, but heaven help the child - or husband! - who does the wrong thing. Nevertheless, however frustrated she can become with them, it's only because she loves them so much and wants their best. She knows the twins are smart and could have done better in school, but eventually accepts their dream of running a joke shop. She is proud of them all, whatever they end up choosing to do with their lives.

Her kitchen is the heart of the home; the family live there and there is where she cooks her wonderful meals, food being how she shows love. There's a rubber pot which seems able to stretch to feed however many guests they have, whether it's Harry and Hermione or all the members of the Order of the Phoenix, whom she feeds regularly in 12 Grimmauld Place.

She was a founding member herself and is still sharp with a wand, after many years of running a home.

But ultimately, Molly is a mother. Her Boggart nightmare is the death of a child.  She kills evil Deatheater Bellatrix Lestrange in defence of her children, not as a warrior, though she is.

"Not my daughter, you bitch!" says it all.

Friday, December 13, 2013

The Invisible Hero by Elizabeth Fensham. St Lucia: UQP, 2013


At an ordinary high school, a class of Year 9 students are given the task of researching and writing about a hero or villain and presenting to the class. It's a joint project between history and English, so there's a journal to keep as well. There is the usual variety of characters - totally evil bully Macca, the son of the local lawyer, and his gang, his girlfriend Genelle, leader of the popular girls' gang, but not very bright, new girl Raphaela who is intelligent and hard working, but the object of some of the bullying, gentle but brave Ruth, her friend Imogen and Phil Dugan, the "invisible hero" of the title who lives with his grandmother, a small, brave and giant-hearted woman, and is bullied by Macca's gang for wearing the blue glasses he needs to help with his dyslexia. 

The novel is made up of journal entries as the characters research their heroes and villains and muse on what makes a hero or villain. Macca decides his hero is Machiavelli, whose philosophy he follows. To the average student, he is a bully they are terrified to stand up to, but to most of the staff he is the golden boy who raises money for charity and arranges a school tree planting. Of course, it's all in the interests of power and his future career. Turkish boy Mustafa discovers one of his grandfather's heroes, Lord Bloody Wog Rolo, an Argentinian immigrant who found Australia was not as fair and just as he'd expected and fought with humour. Raphaela has a hard time making up her mind till she discovers the White Rose group in Nazi Germany and a pacifist who died horribly for calling Hitler evil.

During the research, there is bullying and random acts of kindness and the mysterious arrival of a river red gum seedling in the schoolyard, stealing the publicity from Macca's tree planting.

I liked that each character has his or her own viewpoint, including the villain. That worked well for characterisation. The reader doesn't have to see the villain merely from the hero's viewpoint because he has the chance to speak for himself, and isn't he dreadful!  It was a nice touch to have him discover Machiavelli and use The Prince in his own life, although I suspect he has been a Machiavellian all the time. Another nice touch when a character wonders if Macca has a dreadful home life, but it has already been made clear he is a copy of his horrible father, whom he admires and who supports him. Mustafa is a sweet boy who is close with his grandfather and respects his Turkish old "men's club" even though he's heard the same stories over and over. Phil is part of a large multicultural community that meets at his Nan's home for soup every week.

It's a powerful piece of writing which I think would make a telemovie if the Australian Children's Television Foundation ever gets around to it. The author has incorporated some of her own background into the book, including at least one hero whom her father knew at Oxford, and a woman who inspired Phil's Nan.

There are just a few nitpicks I have with the book. In real life, a boy as wealthy and snobbish as Macca would be unlikely to be attending a state school. He'd be leading the debating team and bullying the cadets at some exclusive boys' grammar. And then he'd probably go into politics and bully on a larger scale. Just check out the bio of any high scale political bully and that's the background you'll mostly find. A brief explanation of why Macca is at ordinary Taunton high school would have helped. Perhaps he was kicked out of his exclusive boys' grammar?

I also wondered why the class should be impressed by a PowerPoint presentation, something that has become standard in most schools. The average year 7 child I know automatically turns on PowerPoint for an assignment, even if they don't have to do a presentation.

The bullying teacher Mr Quayle is perhaps a bit over the top and you have to wonder why decent Mrs Canmore has chosen to team teach with him. 

Still, it's definitely worth a read, especially for teens who want ideas on standing up to bullies and might raise some interest in the historical figures mentioned. It also has some meat for class discussion.

Recommended.

Saturday, November 30, 2013

Recent Bookish Downloads: Rosemary's Baby

I suddenly felt like reading Ira Levin's Rosemary's Baby, having read The Stepford Wives and The Boys From Brazil.

Interesting, entertaining, though not all that scary. And a bit dated. When it came out, it must have been considered really scary. Remember those movie posters?  "Pray for Rosemary's baby." In all fairness, we know how it ends now. I haven't seen the film, but who doesn't know?

 As a piece of classic horror fiction, though... I thought the intro to this edition made a good point - that this novel had taken horror fiction out of distant places - far off country estates, castles, Transylvania - and brought it home to your own block of flats. Even today, the average YA scary book usually begins with the heroine moving to a small country town where things are different from the big city, on the assumption that it's easier to get away with horrible things in distant fictional places. Home is supposed to be where you're safe, but not for Rosemary. She can't count on the nice neighbours, she can't even count on her own husband! That IS scary, even if the Satanic plot isn't.

Still worth reading, even if all the publicity over the years has told you the ending.

Thursday, November 28, 2013

Li Cunxin Speaks To Sam, Chantelle, Kiarah, Tibian and Priyanka


Li Cunxin, Artistic Director - from Queensland ballet website



And finally, rounding off this series of Literature Circles author interviews, Li Cunxin, the author of his bestselling autobiography, Mao's Last Dancer - the subject of a movie and even a picture storybook -  has been nice enough to take time from his hectic schedule as the artistic director of  the Queensland Ballet(currently doing a production of The Nutcracker) - to speak to students Chantelle, Sam, Priyanka, Tibian and Kiarah - about his life journey. Many thanks, Mr Li, and welcome to The Great Raven! (I just want to let it be known that I've been lucky enough to have seen him dance with the Australian Ballet and the students found him on YouTube) And congratulations on being chosen as Queensland's Australian Of The Year!


MAO’S LAST DANCER SPEAKS TO HIS FANS...


1. What inspired you to tell your story and how long did it take for you to write the book?

An author friend of mine, Graeme Base, heard certain aspects of my story and encouraged me to write a book about it, his words were: Li, you should write your story down, your story will give people hope and courage. He then introduced me to his long time publisher Penguin. It took me two and a half years to write my book.

2. What life do you think you would have had if you weren’t a dancer?


A poor Chinese peasant life.


3. Do your kids want to be dancers or do they have their own dreams? 


My two daughters learnt to dance, but they also have their own dreams.


4. Have you visited your old home in China in recent years? 


Yes, I go back there at least once a year. My niang and brothers still live there. My dia died a few years ago.


5. Do you regret anything in the way your life has turned out?

 
No regrets. My life experiences (good or bad) made me who I am.


6. What was your opinion of the movie that was made based on your book


It's a good movie but it's always difficult to portray a person's life within couple of hours. As you know, my book covered over 40 years of my life.


7. Do you dance any other style than ballet?


Besides ballet I also danced modern, jazz, pas de duex, Spanish, and Chinese folk dance


8. What do you think of dancing currently compared to when you first started?

 
Similar, especially ballet.


9. Did you ever think that you would become this successful?

 
No. It's still quite surreal really.


10. Do you still eat dried yams
No, never desired to. Had enough of it. However, it did save our lives, so I'm grateful. But still, NO MORE dried yams!



**I wish you all great success in life. Remember to work hard, be determined and have passion and dedication in what you do, you will be successful then. Li

Gemini, Kimberley, Paris, Nida and Marwa Interview Gabrielle Wang

Gabrielle's image from her website
Two years ago Gabrielle Wang was kind enough to answer some questions from my students who had  read her wonderful book A Ghost In My Suitcase and now, she has gone and done it again, for another group! Thanks for paying a second visit to the Great Raven, Gabrielle - I have learned even more this time! Gabrielle writes gentle, touching novels for young people with characters you can care about and in this one, her adult character, Por Por, is strong and comforting, the sort of grandmother you want whether it's to care for you or scare away ghosts!


General questions 

What was the first book you ever wrote?
The first book I wrote was The Garden of Empress Cassia. Before I wrote that book I didn’t know I could write a story.

How long have you been an author?
I’ve been an author for twelve years.

How old were you when you first started writing?
I remember making a tiny book with illustrations when I was about six years old because I always loved drawing.

How many books have you written?
I’ve written twelve books.

Questions about A Ghost In My Suitcase

How long did it take you to write this book? (And how long does it usually take you to write a book?)

A Ghost in My Suitcase took about 2 years to write. My young adult novel, Little Paradise took 3 years to write but most of my books take around 2 years. 

Where did you get the idea for this book?

A Ghost in My Suitcase is a prequel to one of my other books called The Pearl of Tiger Bay. In that book there is a minor character - a ghosthunting grandma, Por Por. She was such a strong character in The Pearl of Tiger Bay I felt I had to write a whole book about her.


  Why did the mum die so early in the book and how old was she when she died?

It was necessary for me to get Celeste to China by herself so she could meet with Por Por and learn the ghosthunting traditions without the rest of the family. By having her mother die it gave Celeste a sadness right from the beginning of the story and a purpose to go to the Isle of Clouds. 
Celeste’s mum was about 43 when she died.

Were the names of the characters based on people you know? (or were any of the characters based on real people? SB)

Celeste was the name of my cat when I was a child. Apart from that one, all the other names were invented for the book.

 What inspired the "fat belly?"  

The name came from a gangster who lived in Shanghai in the 1930’s. 

Who is the girl on the front cover? Was she chosen by audition?
The girl is my niece, Belinda. We had to take a lot of photos to get one for the cover.   
She is now studying Fashion Design at RMIT and makes and sells her clothes on Etsy. Here’s her site if you want to take a look at her clothes. http://www.etsy.com/people/sorrentinodesigns

Was A Ghost In My Suitcase written for kids, teens or adults?
It is written for 8-12 year olds but I hope it is enjoyed by readers of all ages.

Would you think about turning this book into a movie? (and who would play the lead roles? SB)
I’d love to turn all my books into movies. I’m not sure who could play the lead as it would have to be someone of mixed race – half Chinese, half European. There’s nobody I can think of who’s a well known actor. We would have to audition someone new for the part. 

Tell us about your latest book
It is about two extraordinary children – one raised by the magical Wishbird and the other, an orphan in the City of Soulless. When the Wishbird becames gravely ill, Oriole must leave her forest and find a cure for him. It is for readers 10 and up.  

What are you working on now?

I’m writing another series for Our Australian Girl. It’s an exciting adventure story about a girl called Pearlie who lives in Darwin and witnesses the bombing of the city during World War Two.  

If you'd like to read more about Gabrielle, here's the link to her website, which has some great stuff on it, not only about her books, but her life and her art - as well as a wonderful writer, Gabrielle is also a terrific artist!

http://gabriellewang.com/




Cassandra, Caitlin, Loc and Inaam interview Steven Herrick!

Some years ago, I taught the verse novel The Simple Gift by Steven Herrick to my Year 11. It's a gorgeous story, gentle and warm, about a friendship between a boy who has run away from his father and an older man who has lost his family, both living in railway carriages in a fictional part of regional Victoria called Bendarat. My students and I loved it - who would have thought there were so many autobiographical elements in it?

 And it can mean something to younger teens as well. Cassandra, Loc, Inaam  and Caitlin are Year 7 and 8 students and simply adored it. They said they had originally not liked the ending, but read it again and changed their minds, agreeing that it was, indeed appropriate.

Mr Herrick has written many other books since then, including one recent one called Pookie Aleera Is Not My Boyfriend, a delightful verse novel shortlisted for the 2013 Children's Book Council of Australia Book Of The Year. He is also an amazing performance poet, who once visited my school. Considering all the things he has been doing, it was truly kind of him to pause in his busy life to speak to some fans.

Read the questions and answers below and if you haven't yet discovered Steven Herrick's work, what are you waiting for?



                Why was the book called ‘The Simple Gift’?
It’s named after a poem in the book. When I wrote that poem, I knew I should call the book that as it summed up my thoughts on what Billy (and to a lesser extent, Caitlin) were offering Old Bill - the simple gift of time, friendship, love, acceptance.

                If you wrote a sequel, would Old Bill return?
Many people have asked me to write a sequel. But, sorry I won’t. I’m happy where it ends because I think each of the main characters now has a future different from when the story began. Having said that, I imagine any sequel would involve Old Bill returning and perhaps being a surrogate father to Billy.

                In the end of the book, Old Bill left and moved to Queensland - why did it end that way?
I wanted Old Bill to make a symbolic journey to Qld to perhaps rid himself of the guilt and negative memory of his loss. He was making a pilgrimage to be where he knew Jesse would approve of. Like the way people put the ashes of loved ones in special places.

                What character did you like the most? My favourite is Billy because even though he has a hard life, he still continues.
Billy was certainly the reason I started writing the book. I wanted to focus on how he is a positive life-affirming young man. In the end, however, Old Bill became my favourite. I guess because I’m much closer to Old Bill’s age than Billy’s!

                How did you come up with the idea for this story?
A lot of the minor aspects are based on my life when I was young. I slept in a disused train carriage in Ballarat, I stole scraps from McDonalds, I jumped in a speedboat on a train, I swam in the river to wash. But, the bigger story is fictional. While I met lots of men like Old Bill, I didn’t meet a particular man with his tragic story and Caitlin was a figment of my imagination! I wanted to write a story where young people influence an older person, not vice versa.

                        The story was mostly about Old Bill, Billy and Caitlin’s relationship, what would happen if one of the main characters wasn’t in the story? Caitlin, for example?
I couldn’t imagine the story without each of the three leads. They each have their own values and character they bring to the narrative. Most of my books tend to have three, or perhaps four main characters. Except Cold Skin, which has nine! ( Cold Skin was a terrific thriller all in verse!)

                The town Old Bill and Billy met was called Bendarat, which was a mix of Bendigo and Ballarat - why make a fictional place when these are real places?
So I don’t have to be 100% accurate to the ‘real’ place. I can create the town in my mind and on the pages. Authors like to be totally in control of their story. Also, Ballarat has changed quite a bit since I was there in the 1970s, so even if I made it completely accurate, it would not be like the Ballarat of today.

                Do you think Billy ever meets up with his father again?
More appropriately, do you think Billy meets his father?  I’d say it’s unlikely. Billy runs away to avoid violence, a smart move. He builds a potential life for himself in Bendarat. I can see his relationship with Caitlin and Old Bill growing, but not so much with his dad.

                Why didn’t Billy’s mum play a role in the story?
I wanted to focus on Billy’s future with these new people. I imagine his Mum left home to avoid the violence much like Billy does. The beauty of a verse-novel is I can skip over some of the necessary ‘back-story’. Or, at least, I hope I can.

                Are any of the characters based on real people?
Billy is a very little bit like me when I was young, in that he presents a positive face to the world. I’d like to think I still do that. But, no, the other two characters are fictional.

                Why was the story written in people’s different views?
Simply put, there are always two or more sides to every story. I like showing things aren’t always black and white. It’s in the grey where drama happens. It means I can write stories from different ‘camera-angles’ like a director in a movie would. For example, when Billy and Caitlin first meet in McDonalds - the scene is told from each perspective.

                Why did you make Billy’s father an alcoholic?
I like beer, myself, but I recognise that alcoholism can be one of the most damaging elements in a family.

                Why didn’t you make Caitlin’s parents know about Billy’s and Caitlin’s relationship?
I didn’t really want to broach the issue of them ‘moralising’ about Billy in this story. I think Caitlin’s parents get a tough time enough in this book, in that I’m showing them more concerned with Caitlin’s ‘economic and social’ well-being rather than her ‘soul’. We as parents worry too much about the minor things in our child’s life rather than what sort of person we want them to be.

                Do you think Old Bill’s daughter’s death made a big impact on his relationship with Billy?
Absolutely. You could argue that both male characters have lost someone important - Billy has lost his dad through alcoholism and Old Bill lost Jesse through an accident. In a way their relationship in the book is built upon respect, acceptance and love - perhaps the building blocks of what family relationships should be built upon? They  each adopt a new family and attempt to move forward in their lives. 

Do you have a new book coming out?

My next novel, to be published in May 2014, is called Bleakboy and Hunter stand out in the rain and it's for ages 8-13, approximately.

We'll look forward to reading it, Steven. Many thanks for dropping in on The Great Raven! 



If you'd like to find out more about Steven Herrick, here's a link to his website:

http://www.stevenherrick.com.au/


                 

Wednesday, November 27, 2013

You Know You're a Fantasy Hero When...

Of course, this also applies to some space operas....


You know you're a hero when...

1.Your parents are killed by mysterious creatures, putting them out of the picture so you can go have an adventure. (Also applies to the standard children's fantasy adventure)

2. The same mysterious creatures are following you. They kill your dog as well as your family, but you escape them.

3. You are given a mystical object by someone who promptly dies/is killed - and the baddies want it....

4.You acquire a wise old mentor who tells you that your parents weren't your parents and drags you off on an adventure, in which the mystical object plays a vital part, for good or evil. Usually for good, as only you can use it - the mentor trains you.

5.You acquire a wisecracking sidekick, sometimes two sidekicks who fight non stop. One is a girl and you fall in love.

6. The wisecracking sidekick gets the girl - you have to complete the quest, after all, who has time for romance?

7. Despite the fact that you're a farm boy from Nowhereville, you end up as the prophesied Chosen One and  hereditary Guardian of the object and leader of a group called the Old Ones or the Ancient Ones or some such. Oh, and your real parents died defending it and you.


8.And most importantly, you save the universe, turn out to be a long lost prince and you STILL don't get the girl. Life sucks for a Chosen One.

Monday, November 25, 2013

Reece, Rachelle, Joubert and Dylan Interview Felice Arena!

Felice with some young fans - not my students, alas! I wish!


Again, some of my students have interviewed fabulous Aussie writers, as part of their Literature Circles response (There will be another three!). First cab off the rank is delightful writer Felice Arena, who has written many books for young people.

Specky Magee is the hero of a series of hugely popular novels by Felice and his schoolfriend, footy player Garry Lyon . In the first one, which the above students have read recently, Specky can't help wondering if he has been adopted. He's the only member of the family who is at all interested in football, which he plays brilliantly. And what about that photo of him as a baby, dressed in Geelong football team colours?

Let's take a look at Felice's answer to questions from some of his young fans!



1.     What inspired this novel? Why did you choose to write a novel about football?

I was living overseas when the idea of Specky Magee came to me. Specky was born out of nostalgia. I was missing home, particularly my childhood years. Football was, and still is for many people, the dominant language in Australia (yes, I call it a language) especially in Victorian country towns - where I grew up.
Many of the footy clubs in regional communities are more than just a place to play a game they were a kind of social hub. Even if you werent into footy, it was hard not to be a part of it in some way. When I returned from overseas I noticed that there wasnt a lot of fiction about Aussie Rules for kids; there were plenty of nonfiction fact- and record-type books, but nothing that used our national game as a backdrop to deeper and heartier stories. I had often wondered what it would be like to see the world of football through the eyes of an up-and-coming footy champion or any elite sporting champion for that matter.
Someone who had made that journey and lived in that world was my friend and AFL legend Garry Lyon. So when we ran into each other after I returned from overseas in the late 90s, I shared my idea of writing about a young footballer named Specky and asked if he might want to be involved in the process. He did, and not just in a tokenistic way he was very eager to contribute to the writing and help make Specky real. And that was more than fine by me! Little did I know at the time that this was going to be one of the most rewarding, challenging, and ultimately enjoyable collaborations Id ever been engaged in. Because of other commitments and schedules, Garry and I didnt get around to actually writing the first Specky until two years after that first meeting. The good thing about this, though, was that we both had plenty of time to daydream and workshop storylines for Specky before we actually sat down and wrote the very first line.

How long did it take you to write Specky Magee?
Each Specky Magee book took just under a full year to produce: A couple of months to brainstorm and map out a skeletal storyline; three or four months to write the first draft; a month or two to work with our editor, Michelle, at Penguin publishers - she always had great advice on how to improve our story; and a couple of months to write a second, and if needed, a third draft. 
Was there anything you thought of as you were writing, or any scenes you wrote, that didnt end up in the book?
No. I dont think so. We were lucky to be able to spend a lot of time on preparation and brainstorming of each book - to make each storyline super-tight and succinct.
Were there any stages in your writing when you wanted to quit?
No. There mightve been a day or two, as with any job, when I didnt feel like writing, but I never wanted to quit. If you feel like that when writing a book you probably shouldnt be writing it. 
Which team do you support in AFL? (Would it be Geelong, by any chance?)
Of course the greatest team of all! I grew up in a family of die-hard Collingwood supporters so please have some sympathy for me (cue the violins) so it was tough to be the only Cats supporter in that bunch!
Did any of the things in the book happen to you or anyone you know? (Is any of the story based on real life?)
Speckys character is definitely an amalgamation of Garrys and my personalities - how could he not be? Also, one of Speckys best mates, Danny Castellino, and his family are closely based on my big Italian family.
Do you have a favourite scene in the book?
In the very first book it would have to be when Specky discovers the photograph of himself as a baby dressed head-to-toe in footy clothing. Why would Mum and Dad dress me up in footy gear if they hate footy so much?  This scene is a crucial scene in the book because it launches Specky on a life-changing journey, which continues over eight books.



How did you collaborate with Garry Lyon? For example, did you plan it together, write alternative chapters, have one write the first draft and the other the second? How did it work?
I recently gave a detailed answer to this question for another blog. And I dont think I could better it here so if you dont mind, Id like to direct you to that page:

Tell us about your newest book.
My latest project was a high-tech adventure series called Andy Roid. There are ten books all together. A radio announcer recently said: Andy Roid is Iron Man meets James Bond via Astro Boy. Its pure high-adrenalin, superhero reading.  That pretty much sums it up.


Are you working on anything now?
Yes. Im working on a series for beginning readers and also a tweens novel heavily influenced by my days as a performer in West End musical theatre in London. But thats another story or at least another answer, for the next interview! ;-)
N.B., A revised edition (and new cover) of the first Specky Magee is due to be published March 2014 by Puffin Australia








Sunday, November 24, 2013

Literature Circles The Movie - Take 1 Done!

Late last night I finished the first version of my DVD and burned a couple of copies. I've been discovering bits I filmed and adding them. I worked out a way to get that upside down bit right side up and realised that one of the staff was being rude to a student. No doubt he deserved it, but the purpose of this is to celebrate what the students have done. Back I went to iMovie and fiddled till that frame was gone.

The credits were a problem of their own. The end credits were meant to be a lovely band I discovered on Jamendo, Celestial Aeon Project, playing a piece called Sunset, but somehow I got the voice of Kerry Greenwood talking about writing! It took a lot of fiddling to get that fixed and I still seem to have her voice underneath the opening credit music, but that will be fixed before Friday.

I just wanted to have something ready in case I don't have time to do more before we show them to the kids.

When I started teaching, there was something called the book report - anyone remember that? You had to tell the story and say which of the characters you liked best and why. If the teacher was being especially imaginative, you got to do a book cover. How times have changed!

I had to do those when I started. I gave them their own choice of book and some, of course, tried to persuade me they'd read a book they hadn't. Invariably, it was one I had read. I remember one boy who gave himself away as I was returning some work after I said, "Someone in this class has written a review of a book that person hasn't read." I wasn't even looking at him, but he blurted out, "I did read it, miss, honestly I did!"

And then there was the girl who read romance novels by a favourite writer. "Hang on," I'd say, "didn't you write about this one last time?"  "Oh, no, miss!" she would assure me. "That was set on a sheep station. This one is set on a cattle station." Which said more about the formulaic nature of some romance fiction, especially that writer, than it did about the student.

I think this is a much better way to appreciate a novel, don't you? Though I have heard that some of our senior campus folk are trying to bring back the class text for junior classes, even though there are two years of class texts before they begin VCE. I suspect some of our staff need to be removed from teaching older students and made to teach the little ones for a while. They just don't get it. Before you know it, we'd be back to book reports!

All the more reason to get this DVD ready and show it at a staff meeting.

Thursday, November 21, 2013

Literature Circles The Movie!

The post below is reprinted from my other blog, Sue Bursztynski's Page. I know this is basically a book review site, but this is how we do books with younger kids at school. It's a wonderful way to teach books. The kids read a book they can handle and discuss it, with some guidance - a set of "roles" they play, such as Discussion Director, Predictor, etc. - and the teacher has the pleasure of seeing the young men and women gravely discussing the book they're reading like adults in their book clubs, but better. I have described it to the students as "book club for the classroom".

Later, they have to go back to class texts, because that will be required of them in their older years, but meanwhile, they can work at their own level on a book they aren't struggling with if they're not the best of readers, or that will challenge them if they're good readers and they're learning to discuss a book and think more deeply about it and what it means.

Following this, in my case at least, there's none of this old-style "Book report". They interpret the text in a number of different ways (I have even offered fan fiction as an option for the better readers, because you have to understand the book and the characters to get fan fiction right. Last year, I had a very fine fan story based on Marianne De Pierres' Burn Bright. She was one of only two students who took me up on that, because it's harder than it looks). They can do book trailers - those fill the curriculum requirement for "persuasive language" because you have to persuade people to read the book. Some of the students even prepared interview questions for authors who have agreed to it(we have four interviews this year!) - I check them out before sending the questions on, and they must show they've read and understood the book. I won't take "What's your favourite food?" unless it's a story about food!

Anyway, check this out and see what you think. I'm rather proud of my students and I know they had a good time doing this and learned a lot.


"So, I'm sitting at home on report writing day, having done as much as I could on reports(still things to gather and marking to do anyway) and I'm working on my DVD for Literature Circles - we're going to have a showing for both classes next Friday and I must have it done and burn some copies for those kids who would like to take them home.

It's not easy. I only have one set of actual discussions - every time I tried to film a discussion at least one member of the group would raise her hands over her face and yelp, "Oh, no! Don't film me!" It's not as if I'm putting them on YouTube, I would argue - they're just for us, and for showing to teachers who want some idea of how this works. But it just didn't happen. I had one good discussion being led by Catherine, our integration aide, a multi-talented woman who is an artist and film maker (I have a film she took of the integration students building a model based on the book they had read, The Big Dig, and talking about it. Brilliant!). But for some reason, when I loaded it on to iMovie, it turned upside down, and I still haven't worked out how to right it and the one friend who could help me is in bed with stomach cramps. Even the computer technician at work said, "If you find out, let me know."

So most of the filming is of my voice interviewing the students about the books they were reading at the time and it sort of works, but I really prefer the discussions.

 Some of the students chose to do an author interview and I've arranged these with the authors, though I have only emailed one set of questions, because they really need some editing and I don't want to edit them too much or it won't be the students' questions, it will be mine. One set of questions still needs to be retrieved from our Public Share, where I hope the student who typed them has saved them. Those will go up on The Great Raven when done.

And then there were the book trailers - well, there was one quite good one based on Gillian Rubinstein's Space Demons. I don't think the publishers would use it in YouTube, but it gets the message across and persuades viewers this book might be worth checking out. It was put together smoothly in Powerpoint and saving it to Quicktime gave me no problems. Likewise, the trailer for Cirque Du Freak by Darren Shan, which was produced properly by a student who knew how to use Moviemaker and could be converted to Quicktime via HandBrake. That was a good one too, though I wouldn't post it on YouTube, because the images were copyright. The music came from Jamendo, which is Creative Commons.

I had somewhat more trouble with the book trailer for Holes. It worked fine on a PC, but was missing its music when I loaded it on to my Mac. I was told by our info tech teacher that PowerPoint doesn't work with mp3(yet it worked okay with the Space Demons trailer) and he had recommended .wav, which doesn't work on a Mac. However, I found out the music he used, downloaded it as mp3 and recorded it on my computer, on which the PowerPoint opened as Keynote and Keynote does take mp3. Then I was able to save it to Quicktime and upload it to iMovie. Yay!

The one that REALLY gave me a headache was the trailer for Jenny Mounfield's The Icecream Man, a scary thriller for teens. Despite my warnings, the students produced it in Moviemaker, which should never be used by anyone who hasn't the experience and confidence to make it work. The trailer looked fine, but the file I was given by the student who put it together was not properly saved - it was a 66k wlmp file. And the student with the finished product took it with him and went off to Bangladesh for the rest of the school year!

Fortunately, he had left me a folder with the images and even the music. No text, but I got an idea - I would put it together using their images and music, in KeyNote. And they'd done me a storyboard with the planned text.

Unfortunately, I discovered that the text was plagiarised directly from the official book trailer and couldn't allow it to be used. I just couldn't! I don't know if that was the text they actually ended up using - they finished it off on the last day of Lit Circles classes and I was running around like a chicken with its head off, helping other students, asking them to save to Public share, saving files to my USB stick...

The tune was Pop Goes The Weasel - the original trailer had that, but this version was actually better than the one on the trailer, scarier - just imagine Pop Goes The Weasel sounding scary! So I took the images, placed them in order and recorded the music they had chosen. next year, when he returns, I'll ask the travelling student if he still has the original file and as long as he hasn't used the stolen text I will replace this one on the DVD. I don't think most kids understand the concept of plagiarism. They've done their research, they've found the information, what's all the fuss about? Or they tweak a few words and say, "But Miss, I've rewritten it!" (Rolls eyes).

Anyway, it seems to work not too badly, with the combination of images and music and I have placed it on iMovie along with the rest of the files. Time for a quick lunch and then put it together into a film!"