Recently, I've been rereading all my LMB books, which I love as much as ever and it has occurred to me that the story of "Labyrinth", the Miles Vorkosigan novella, has definite connections to the Loathly Lady stories of the Middle Agrs.
In case you're not familiar with these, you'll find them in the story of Sir Gawain and Dame Ragnell and even in Chaucer in the Wife Of Bath's Tale. What it boils down to is this: the hero finds himself with a terrifying huge, ugly woman who makes certain demands of him, including marriage, in exchange for something he needs desperately. He grants them to her and in the morning finds himself beside a stunningly beautiful woman - by giving her what she wanted, he has broken a spell. (And when you think of it, even the Disney movie Shrek plays with it, except that the beautiful woman turns into an ogre and happily goes off with her fellow ogre)
But I was thinking of the Child Ballad King Henry, which I first heard plated by Steeleye Span on my favourite album Below The Salt. In it, King Henry(no specific King Henry, just the standard Everyknight with a crown) gets lost hunting and finds his way to a "haunted hall" to spend the night. There, he is confronted with a huge, ugly fanged woman who demands of him food(his horse, hounds and hawks) and drink(wine sewed up in his horse's hide). Then she demands he sleep with her. Trembling, he lies down with her. In the morning, she has turned into the beautiful woman of his dreams, and tells him that his knightly courtesy and giving her all she wanted has impressed her. That's where Steeleye Span leaves it, except for a last chorus/verse about having an open heart and full of charity.
So, we return to the story of Miles Vorkosigan and his own Loathly Lady, who eventually becomes a master sergeant in his fleet. Miles has been contracted to rescue a scientist whose skills will be useful to Barrayar and who has been having second thoughts about his employment on the dreadful planet Jackson's Whole, where pretty much everything is okay as long as it fits in with things capitalist. Including horrible use of genetic engineering for sexual slavery.
The scientist insists that a vital part of his research is embedded in the left leg of a "creature" he'd been working on and won't go without it. Kill the creature and take the material, he tells Miles.
Then Miles finds himself in the basement with an eight foot high being with fangs... and discovers it is female - and human - in fact, a sixteen year old girl - under all the genetic engineering. She has been created for a super soldier program that no longer exists and been abandoned and sold into slavery. Seeing her killing and eating a rat - about all there is to eat in that place - he offers her a ration bar. After the food, she wants water, which she has been without since being locked up. He finds a water pipe and she has her drink. Then she demands that he lie with her to prove he accepts her as human. Miles is at first shocked, but manages to give her what she wanted. making her happy - and inviting her to join his mercenaries, telling her that he had been sent to slay a monster and instead found a hidden princess.
After that, they escape, wiping out the villain's entire gene banks of potential slaves as they go. The Loathly Lady, now called Taura, never becomes beautiful in a regular sense, but she cleans up well, with the help of a female soldier, and becomes beautiful in her own way.
Can you see the resemblance to King Henry? He gives her food, drink and himself, in other words "all her will", which is usually the point of these stories. Sir Gawain and the unnamed knight of the Canterbury Tale both have to find out what women want - which is to get their own way. King Henry doesn't have that problem, but he gives her her own way anyhow.
I wouldn't put it past Lois McMaster Bujold to have had a Loathly Lady story in mind when writing this.
The scientist insists that a vital part of his research is embedded in the left leg of a "creature" he'd been working on and won't go without it. Kill the creature and take the material, he tells Miles.
Then Miles finds himself in the basement with an eight foot high being with fangs... and discovers it is female - and human - in fact, a sixteen year old girl - under all the genetic engineering. She has been created for a super soldier program that no longer exists and been abandoned and sold into slavery. Seeing her killing and eating a rat - about all there is to eat in that place - he offers her a ration bar. After the food, she wants water, which she has been without since being locked up. He finds a water pipe and she has her drink. Then she demands that he lie with her to prove he accepts her as human. Miles is at first shocked, but manages to give her what she wanted. making her happy - and inviting her to join his mercenaries, telling her that he had been sent to slay a monster and instead found a hidden princess.
After that, they escape, wiping out the villain's entire gene banks of potential slaves as they go. The Loathly Lady, now called Taura, never becomes beautiful in a regular sense, but she cleans up well, with the help of a female soldier, and becomes beautiful in her own way.
Can you see the resemblance to King Henry? He gives her food, drink and himself, in other words "all her will", which is usually the point of these stories. Sir Gawain and the unnamed knight of the Canterbury Tale both have to find out what women want - which is to get their own way. King Henry doesn't have that problem, but he gives her her own way anyhow.
I wouldn't put it past Lois McMaster Bujold to have had a Loathly Lady story in mind when writing this.
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