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Friday, February 27, 2015

Vale Leonard Nimoy!


The word was out this morning. Leonard Nimoy is no more. That makes me very sad.

I grew up with Star Trek. I loved science fiction but apart from the anthology shows the only thing I could find on TV was Lost In Space

Now, don't get me wrong. Since my childhood I have seen Lost In Space again and realised that it's delightfully silly, camp 1960s stuff, and that if you watch carefully you'll find people who are better known than you might expect. Michael Rennie was in an episode, "The Keeper". The composer of much of the music was a certain "Johnny Williams" who went on to compose the music for Star Wars and other such films. Another composer was Alexander Courage, composer of the Star Trek music. A lot of guest actors also appeared in Star Trek. The dashing Guy Williams, head of the Space Family Robinson, was Zorro. And little Billy Mumy went on to be one of the most popular characters in Babylon 5.  So, yes, there was much to admire in that series. 

But when I saw my first episode of Star Trek, "Mudd's Women", I sighed, "Thank God! SF for adults!" Even if I wasn't yet an adult myself. And I knew I would never get back to Lost In Space

And much of what I loved about Star Trek was the characters, especially Spock. He was the man who didn't quite belong anywhere, though he had friends who loved him. And which teenager doesn't have that feeling?

Spock inspired fan fiction from me. It's not that I wasn't writing - I was writing dreadful historical novels in my teens - but my very first published work was stories about Spock. I learned a lot about writing through fan fiction. Mr Nimoy cared about the character. It wasn't just a job to him. 

So, in some ways, I owe some of my writing skills to him. 

Rest in peace, Leonard Nimoy, and thanks for giving me a lot of enjoyment over the years.

Aurealis Shòrt Lists 2014

And here it is, as posted on the AA web site. Congratulations to all short listed folk. I have to admit, I've only read those on the children's list, though I bought one of the other short listed books at Continuum last year and have another in my school library and one more on my TBR review pile and another I've started, in ebook. Time to get reading! 

Meanwhile, here they are and well done to everybody on the list. 

2014 Aurealis Awards – Finalists


BEST FANTASY NOVEL

Fireborn, Keri Arthur (Hachette Australia)

This Shattered World, Amie Kaufman and Meagan Spooner (Allen & Unwin)

The Lascar’s Dagger, Glenda Larke (Hachette Australia)

Dreamer’s Pool, Juliet Marillier (Pan Macmillan Australia)

Afterworlds, Scott Westerfeld (Penguin Books Australia)

Daughters of the Storm, Kim Wilkins (Harlequin Enterprises Australia)

BEST FANTASY SHORT STORY

“The Oud”, Thoraiya Dyer (Long Hidden, Crossed Genres Publications)

“Teratogen”, Deborah Kalin (Cemetery Dance, #71, May 2014)

“The Ghost of Hephaestus”, Charlotte Nash (Phantazein, FableCroft Publications)

“St Dymphna’s School for Poison Girls”, Angela Slatter (The Review of Australian Fiction, Volume 9, Issue 3)

“The Badger Bride”, Angela Slatter (Strange Tales IV, Tartarus Press)

BEST SCIENCE FICTION NOVEL

Aurora: Meridian, Amanda Bridgeman (Momentum)

Nil By Mouth, LynC (Satalyte)

The White List, Nina D’Aleo (Momentum)

Peacemaker, Marianne de Pierres (Angry Robot)

This Shattered World, Amie Kaufman and Meagan Spooner (Allen & Unwin)

Foresight, Graham Storrs (Momentum)

BEST SCIENCE FICTION SHORT STORY

“The Executioner Goes Home”, Deborah Biancotti (Review of Australian Fiction, Vol 11 Issue 6)

“Wine, Women and Stars”, Thoraiya Dyer (Analog Vol CXXXIV nos 1&2 Jan/Feb)

“The Glorious Aerybeth”, Jason Fischer (OnSpec, 11 Sep 2014)

“Dellinger”, Charlotte Nash (Use Only As Directed, Peggy Bright Books)

“Happy Go Lucky”, Garth Nix (Kaleidoscope, Twelfth Planet Press)

BEST HORROR NOVEL

Book of the Dead, Greig Beck (Momentum)

Razorhurst, Justine Larbalestier (Allen & Unwin)

Obsidian, Alan Baxter (HarperVoyager)

BEST HORROR SHORT STORY

“The Executioner Goes Home”, Deborah Biancotti (Review of Australian Fiction, Vol 11 Issue 6)

“Skinsuit”, James Bradley (Island Magazine 137)

“By the Moon’s Good Grace”, Kirstyn McDermott (Review of Australian Fiction, Vol 12, Issue 3)

“Shay Corsham Worsted”, Garth Nix (Fearful Symmetries, Chizine)

“Home and Hearth”, Angela Slatter (Spectral Press)

BEST YOUNG ADULT NOVEL

The Astrologer’s Daughter, Rebecca Lim (Text Publishing)

Afterworld, Lynnette Lounsbury (Allen & Unwin)

The Cracks in the Kingdom, Jaclyn Moriarty (Pan Macmillan Australia)

Clariel, Garth Nix (Allen & Unwin)

The Haunting of Lily Frost, Nova Weetman (UQP)

Afterworlds, Scott Westerfeld (Penguin Books Australia)

BEST YOUNG ADULT SHORT STORY

“In Hades”, Goldie Alexander (Celapene Press)

“Falling Leaves”, Liz Argall (Apex Magazine)

“The Fuller and the Bogle”, David Cornish (Tales from the Half-Continent, Omnibus Books)

“Vanilla”, Dirk Flinthart (Kaleidoscope, Twelfth Planet Press)

“Signature”, Faith Mudge (Kaleidoscope, Twelfth Planet Press)

BEST CHILDREN’S FICTION

Slaves of Socorro: Brotherband #4, John Flanagan (Random House Australia)

Ophelia and the Marvellous Boy, Karen Foxlee (Hot Key Books)

The Last Viking Returns, Norman Jorgensen and James Foley (ILL.) (Fremantle Press)

Withering-by-Sea, Judith Rossell (ABC Books)

Sunker’s Deep: The Hidden #2, Lian Tanner (Allen & Unwin)

Shadow Sister: Dragon Keeper #5, Carole Wilkinson (Black Dog Books)

BEST COLLECTION

The Female Factory, Lisa L Hannett and Angela Slatter (Twelfth Planet Press)

Secret Lives, Rosaleen Love (Twelfth Planet Press)

Angel Dust, Ian McHugh (Ticonderoga Publications)

Difficult Second Album: more stories of Xenobiology, Space Elevators, and Bats Out Of Hell, Simon Petrie (Peggy Bright Books)

The Bitterwood Bible and Other Recountings, Angela Slatter (Tartarus Press)

Black-Winged Angels, Angela Slatter (Ticonderoga Publications)

BEST ANTHOLOGY

Kisses by Clockwork, Liz Grzyb (Ed) (Ticonderoga Publications)
Kaleidoscope: Diverse YA Science Fiction and Fantasy Stories, Alisa Krasnostein and Julia Rios (Eds), (Twelfth Planet Press)

Amok: An Anthology of Asia-Pacific Speculative Fiction, Dominica Malcolm (Ed) (Solarwyrm Press)

Reach for Infinity, Jonathan Strahan (Ed) (Solaris Books)

Fearsome Magics, Jonathan Strahan (Ed) (Solaris Books)

Phantazein, Tehani Wessely (Ed) (FableCroft Publishing)

BEST GRAPHIC NOVEL/ILLUSTRATED WORK

Left Hand Path #1, Jason Franks & Paul Abstruse (Winter City Productions)

Awkwood, Jase Harper (Milk Shadow Books)

“A Small Wild Magic”, Kathleen Jennings (Monstrous Affections, Candlewick Press)

Mr Unpronounceable and the Sect of the Bleeding Eye, Tim Molloy (Milk Shadow Books)

The Game, Shane W Smith (Deeper Meanings Publishing)

Thursday, February 26, 2015

A Guest Post On Someone ELSE's Blog!

The lovely Kim Forrester, an Aussie expat who blogs, invited me to do a guest post on her blog. It's a thing called "Triple Choice Tuesday" in which a writer is invited to name a favourite book, a book that made changes in their life and one they feel deserves a wider audience. Sort of a Desert Island Discs about books, I guess. It's a site for readers of adult books, really, but Kim pointed out that her readers do tend to buy books for the younger members of their families.

Anyway, here's the link!

http://readingmattersblog.com/2015/02/24/triple-choice-tuesday-sue-bursztynski/

Why not go there and find out what books I chose? It's always nice to be invited. 

Wednesday, February 25, 2015

AA reading Finished, Time For the TBR pile!

I have finished my competition reading and the short list is out tomorrow. I'm looking forward to seeing what is on the other lists and I will post it all here. Most of the books I read have been donated to the local primary school or to my own library. A few remain in my living room, ready to be carried to work on my poor shoulder, when possible.

Today I'm FINALLY getting to read the second half of Neil Gaiman's Graveyard Book graphic novel. The review will be up as soon as I can get it going. I have several more sent to me by Bloomsbury, so stand by for some more reviews! 

Wednesday, February 18, 2015

O Joy! First Sale Of The Year!


Remember that bushranger story I was working on, for which I used Irish music to write by? 

Paul Collins was very pleased with it and so it will be going into his next anthology in the Trust Me! series(he may give it another title and a different style of cover, because people get the second anthology confused with the first.) I already have my contract to sign.

It's a relief as well as a cheer-up after the disappointment of Cranky Ladies Of History. See, I put a lot of research into that one. The Victorian era is not one with which I'm really familiar. When I was working on it, I asked a couple of historians about things I needed to know. And I knew that if it missed out, I had nowhere else to send it, but I had a go anyway. And then it was rejected for reasons unconnected with the quality or the historical accuracy. It's a very good story I'm proud of, but historical fiction is hard to sell. Almost impossible, in fact, unless someone decides to publish a historical anthology. Well. It will sit around for a while. You never know. I have had three stories that sold after lying in the proverbial bottom drawer, rejected, for some years. And a novel! ;-) It's a matter of waiting for the right market. 

I'm explaining this because it made me anxious about this one. It's historical fiction for children. Again, I had an era and place that I was not really familiar with - the 1860s in the New South Wales gold rush. I had written some non-fiction about it in Crime Time: Australians Behaving Badly, so I knew the true story, but it's not quite the same as telling a story from the viewpoint of someone who lived there. But Paul has been good to me over the years. I knew that if it wasn't quite what he wanted he would give me a chance to fix it. I decided to take a chance. 

After I'd written three drafts, I decided it was time to submit the thing once and for all and get it over with. If it was accepted, then I'd get the story checked for historical glitches. I already knew who to ask. Monissa Whitely, a former member if the ASIM collective, is very much into this era and collects books about it. Furthermore, she has been shopping around her own bushranger novel, set in the same era, the 1860s. If it wasn't accepted... Well, I hoped that wouldn't happen. When Paul's email arrived with a contract attached and opened with "Well done you!" I heaved a huge sigh of relief!  

So yay! 

Monissa read it for me and asked about a few very minor points. In one case, she asked me if I was sure the boy in the story - a real historical figure - would spend a whole pound given him by the bushrangers - the equivalent of about $200 - on lollies. I assured her I hadn't made it up - I got that from the account he wrote as an old man, right from the horse's mouth. But there were two terms that she thought anachronistic and I fixed them.

Other than that, it looks like I got the history right. So only the editing to do, when Paul contacts me about it. 

I think writing historical fiction is a bit addictive. Pity it's not more saleable!

February 18 Meme: Happy birthday, Mark!


Today is my delightful nephew Mark's birthday. It's also the birthdays of quite a few impressive folk. Here are a few, starting with the subject of today's Google Doodle -

1745-1827 Alessandro Volta, after whom the volt is named. He invented the battery and was one of a bunch of scientists interested in what electricity could do. His rival, Luigi Galvani, was the one whose experiments gave a teenage girl called Mary Shelley the idea for her most famous novel, Frankenstein. But she would have heard of Volta. 

Authors

1859-1916 Sholom Aleichem, famous Jewish writer. His short stories were funny and sad and brilliant. When he visited the US, he met Mark Twain, who said, "I wanted to meet you, because I'm told that I am the American Sholom Aleichem." If you don't know anything else about Sholom Aleichem, you will certainly have heard of the musical based on some of his stories, Fiddler On The Roof. Oh, and he had a granddaughter, Bel Kaufman, who wrote the classic Up The Down Staircase, a novel set in a working-class school, about a young English teacher's first year in her new profession. Writing talent seems to have run in the family - her Mum was also a writer. 

1883 - 1957 Nikos Kazantzakis, author of Zorba The Greek and, among other things, Christ Recrucified. That one, I've read. It's set in a small Greek village during the Turkish occupation. The villagers are about to stage a Passion Play and the actors start to play out their roles. I read this one when I was in my teens and I'm afraid I figured that out soon enough, but it was a very good novel anyway. 

1936 - Jean M Auel, author of the Earth's Children series, starting with Clan Of The Cave Bear. I've read the first two in the series and enjoyed both, though I admit that I lost interest only a few chapters into the third book.  But if you are interested in life in Neanderthal times as it just might have been, I do recommend Clan Of The Cave Bear. I rather liked her idea that the Neanderthal brain might have been like a computer - it stores race memory, so people know how to do things their ancestors did, whereas the modern humans can't do that, so they have to be able to invent. Is it right? I don't know, but it worked for that book. 

1931 - 2007 Johnny Hart, cartoonist, Wizard of Id. I loved that strip! 

There are other writers, but these are the ones I've read. All with February 18 birthdays!

Published on February 18

1678: The Pilgrim's Progress by John Bunyan. I haven't read it, but there there are references to it in Little Women, in which the girls have copies of it and each goes through her own Pilgrim's Progress experience. 

1885The Adventures Of Huckleberry Finn by Mark Twain. A true classic! I may read from it next Banned Books Week. 

Happy birthday, Mark and anyone else with a birthday today! 

Saturday, February 14, 2015

On Rereading Whodunnits


Having finished my reading for the Aurealis Awards, I'm now starting to make my way through the neglected pile of TBR review books. Most of them are from Bloomsbury, some from Ford Street.

But at bedtime I need something old which doesn't require much focus, not a brand new title which will keep me awake thinking about it. So I have recently hauled off the shelves some old Ellis Peters and Agatha Christie novels.

Ellis Peters, aka Edith Pargeter, historical novelist, put together her skills as a crime writer and a historical novelist to write twenty books(21 if you count A Rare Benedictine, a collection of short stories)about about Brother Cadfael, a mediaeval monk and amateur sleuth, on the border of England and Wales, in a town called Shrewsbury, a sort of mediaeval Midsomer. ;-) The difference is, of course, that it's a real place.  I've been there and found my way quite easily from the church of St Peter and St. Paul(setting of the book) into town, because the author described it so well. I love these books. Despite the necessary murder in each book and a war raging across the country, there is something peaceful about it and quite frankly I don't care if I remember whodunnit. It's the atmosphere and the calm wisdom of Brother Cadfael I care about, and his friendship with his young "cop" buddy Hugh Beringar, who becomes Sheriff of Shropshire, a highly responsible job, but is still a cop. So these books make good bedtime rereads. To be honest, I couldn't remember whodunnit this time, but it didn't matter. They soothed anyway. And she doesn't cheat you. She gives you enough clues to work it out, and if you don't, you say, "Oh, yes, I forgot that clue!"

Agatha Christie also throws in clues(or Clues), and the murderer could be anyone, from the gruff major to the sweet young thing who called in Poirot in the first place. I love that, but I wouldn't  exactly say she never cheats you, just a little bit. It's true that she follows the main rules. The killer is a member of the cast already introduced, never an outsider, no matter his many threatening notes the victim may have received or claimed to have received. But there are often pieces of vital information you don't receive till near the end of the book when Poirot triumphantly reveals the contents of a telegram he sent a little earlier, to the gathered cast of suspects. And if there are no mysterious poisons from South America(she worked in a dispensary during the war, she refuses to do that!) there are disguised characters, women disguised as men, evil ex husbands disguised as - er, mild mannered new husbands...

Alas, I ALWAYS remember whodunnit in an Agatha Christie book. But as I said, I don't mind, really. Not at night time. I like the ambience of the eras in which they're set - 1917 onwards for the Poirot stories and in the 1940s/50s for Miss Marple.

 I like Poirot with his "little grey cells" and his observation and his refusal to consider cigar ash and footprints in the flowerbeds, even though he does notice pottery ground into the carpet and a disarranged mantelpiece. And I like how Miss Marple notices how the potential killer reminds her of someone she knows from the village, and goes from there. She plays the scatterbrained little old lady to the hilt, almost like an elderly female Columbo, but everywhere there are police inspectors who know exactly how sharp she really is(sometimes from having worked with her, other times because they're related to friends of hers). She has a terrific network of family and friends on whose special knowledge she can call whenever she needs it. Very different from Poirot, but like him, she always works it out - in the early short stories she doesn't even need to be there, she just hears the story and works it out.

So, why reread a whodunnit? Because there is so much more to them than that!

This Year's Challenges: Creative Writing And EAL


Reposted from my other blog. This is what I do when I'm not writing or reading for the Aurealis Awards or catching up on my TBR pile. I just get the hang of one thing when they throw me out of it and tell me to do something else. I think I should get a medal for having to work out how to do something different each year. Could be worse; it could be sheet metal! 

I've had two classes each - a double period - in Creative Writing and Year 7 EAL. So far so good, but I'm still learning.

The Year 7 EAL I'm doing in co-operation with the regular EAL teacher. Last year a couple of colleagues had the job of teaching the students while the rest of the class was doing Italian or Vietnamese - no point making the poor kids do those when they haven't even mastered English yet! It did happen one year when the timetable had problems, but not now.

So what do you do? Strictly speaking , it's called "Cultural Studies" and there is a colleague on another campus who has prepared a whole year's classes on it as such. But I asked the EAL teacher what she would prefer me to do. She said she would prefer that I complete activities she is doing and vice versa. She gave me her lesson plans for the term. That has helped so far, but we have a hard time getting together when she has six period days before I take the class. And her lesson plans are really intended for herself, as aids to memory; she has been doing it for so long, she knows exactly what she means. I don't necessarily know what she means, so I have to use them as starters and ask her to clarify if I can get her for five minutes.

The first week I took the students' photos and printed them out for a poster "about me" that was to be put up in the classroom. She had prepared a template for them to use. Yesterday they had to do work on nouns. She had supplied a work sheet, but there were other things to do, such as find a text they could use to highlight the nouns and work out what kind they were. And she hadn't brought that to work. So I went on line and found a fairly simple folk tale, which was still not quite simple enough; I had to adapt it. And because this was a double period, I knew the work sheet alone was not going to be enough to keep them going. I prepared "noun cards" for them to sort as to type, in groups.

In the end, with the help of the volunteer from the Ardoch Foundation, I was able to keep it going for two periods and we each took a table of students. The noun cards didn't get used until the next period, when the regular teacher used them as a warm up before proceeding to verbs. I did wonder if they would remember the noun types, though they seemed to have got it in my class. My colleague told me that they had; she said when they came into class, "So, you're now experts on nouns. Tell me about them!" and asked questions which they were able to answer. Success!

Creative Writing has the potential to be a huge success or a complete disaster. So far so good. The first lesson was introductory. My colleague on another campus is doing a very structured class, starting from the beginning. She has a larger class than mine and doesn't know them, having been moved from her other campus, so that's understandable; I have shared some of my material with her, though, the story starters, and she is happy with them.

. If I asked my students to do basic writing exercises I suspect they would rebel. They know what they are doing, or believe they do; they just need my support.

So the first week I did an introductory class, beginning with showing them books by teenagers and telling them that just because you're young doesn't mean you can't succeed in this area. I talked about writers who plan way ahead and writers who write by the seat of their pants. I'm a pantser, but it would work better for them to be planners.

I prepared a set of story starters. On one side of the sheet were story starters taken from the Melbourne Writers' Festival student competition, Write Across Victoria, including one that had won a prize for a student from our school. On the other side, as a form of "differentiation" for the students who might need something simpler, I placed some much simpler story starters of my own.

Amazing how much I learned from this. It wasn't only the less capable writers who chose them, it was some of the good ones as well - it inspired them as the others didn't. Lesson number 1, Sue: don't make assumptions.

We went through the complex story starters first and I invited them to think about what kind of stories they might be, eg one was clearly Steampunk. Amazing the range of ideas that came from a single story starter that began with "I remember the day they came for me" and went on to describe fighting and clash of steel on steel. Everything from totalitarian state to ninjas! And one of the students, who is a huge Steampunk fan, nevertheless started with this one, writing a gruesome tale of slave takers killing parents to take the daughter.

Anyway, I got them started and Tuesday this week, they were continuing on. I learned another lesson I should have understood last week, preparing a story template with a basic "who is your hero, where does it happen, who are her friends/enemies, what is the problem, how is it solved" format. I thought it might help one girl who is having trouble getting started (and I came into class to find that she had decided her first page and a half just wasn't working, so yes, it did help her). Two others also used it, including one who had stuck fast on "I blacked out" with no idea where to go from there. We discussed her story, which was about an evil queen who didn't want to be evil but was under a curse. Then I offered her the template to enable her to break it down and she said that yes, it did help, very much, looking at it that way. Lesson 2, repeat of Lesson 1: don't make assumptions!

Another student I had thought might not do much last week had brought in a plan every bit as complex as the J. K Rowling one I had shown them the first week. She was typing away happily. Apparently her sister also writes and had shown her how to do this.

So that's working and when at the end of the period I asked them whether they were enjoying so far, they all agreed with huge smiles.

Only thing is, how do i gently persuade most of them we need some sessions when they read out their stories to each other? One of them agreed before class that she would read out hers and I wrote a Steampunk story using the story starter, so the two of us read our stories out and the others were gently critical of mine and I praised them. But they look like deer in headlights when I suggest they might do the same.

I have to think about it.

Friday, February 13, 2015

Compulsory Valentine's Day Post 2015

Happy Valentine's Day, lovers all! 



I see I did one of these two years ago, but it was mainly about me and book club and the National Year of Reading the previous year, with just a token reference to two classics, so here I am again.

According to Wikipedia, which has quite a lengthy article on this, there were several Christian martyr Valentines. The one we hear the most about is the one who lived during the reign of Emperor Claudius II, the Valentine who is supposed to have been locked up for performing secret marriages for soldiers, who were not allowed to marry(not true, according to Wikipedia). This made him the patron saint of lovers. He is supposed to have healed his jailer's daughter and sent her a farewell letter signed "your Valentine" before they killed him. True or not, it's a story I always enjoy. 



Chaucer mentions Valentine's Day in Parlement Of Foules (that's "birds" to those of you who think it's just a sports term!) as the day when birds gather to choose their mates. 


I vaguely recall a festival of Juno in Rome around that time of year when you were allotted a lover for the year. I think that's sweet. "Oh, no, I'm stuck with Publius again!  He has bad breath and big ears and keeps talking nerdy stuff about books!" 

Anyway, as I'm not getting any chocolates or hearts this year(and by the way, Wikipedia says that started with the good Saint who cut hearts out of parchment. Who would have thought it?) I will think about some of my favourite fictional lovers.

*Ah! The radio is  playing the Birdcatcher's Song from Mozart's Magic Flute, giving me another lover to write about ... Poor Papageno, he just wants a girlfriend and has to go through all that Freemasons stuff to get one. Now, that was an interesting presentation of love. Prince Tamino falls in love with Pamina just from a picture and she doesn't even need a picture! She falls in love just from hearing about Tamino. Still, a fun opera. I once saw the gorgeous Anthony Warlow as Papageno. A beautiful Papageno he was, too.*

Back to the fictional lovers. Last time I mentioned Mr Darcy and Elizabeth Bennet, a pair of strong people who just need to learn a bit about life. They are equals. I like that. Well, he is rich and she isn't, true, but in intelligence they are and we know she eon't take any nonsense from him. 

In Shakespeare my favourite lovers are Beatrice and Benedick in Much Ado About Nothing. Beatrice's cousin Hero is a much more conventional lover, who faints dead away when Claudio humiliates her publicly. Anyone remember that scene in The Winter's Tale when Hermione faints away when her husband humiliates her? Both women sort of get their revenge by making their men squirm and think them dead before forgiving them, of course. As I hear it, strictly speaking the Hero/Claudio romance is supposed to be the main one in the play with Beatrice and Benedick as the kooky, loveable supporting characters. 



Come on, does anyone seriously believe that?  But it's true, in a way. Beatrice is an orphan living with her relatives; she can't be standard and she can be independent in a way Hero can't. And oh, what a character! "Kill Claudio!" she says when Benedick, who has been fighting a war of words with her and now admits he loves her, asks how he can help. She does add, "Oh, that I were a man!" In other words, "I need you to challenge him to a duel because I can't." And he agrees and does realise that his mate Claudio has done the wrong thing. 

Interestingly, I once saw a production of Much Ado About Nothing that was performed in Regency costume, a la Pride And Prejudice; it worked very well. Another, later production was done in 1950s costume, with Pamela Rabe and Hugo Weaving(yes, that Hugo Weaving, as in Agent Smith and Elrond)who also played Kate and Petruchio in The Taming Of The Shrew

Has anyone noticed the tendency in YA fiction for having a triangle? In it, the girl is courted by two gorgeous boys. Sometimes it's obvious from the beginning who will win her. Often it's not, giving fans the chance to argue happily over the matter as the series goes on. 

If you think about it, the triangle has been around for a while. Think about the novels of Jane Austen, for example. Though I can't seriously imagine anyone claiming to be "Team Wickham", if Pride And Prejudice was a series ... Who knows? (Actually, I take that back. I can totally imagine a "Team Wickham" if Pride And Prejudice was a modern YA novel.)

I am still trying to slot such a triangle into my WIP, because it's necessary; the heroine feels a strong attraction towards the long lost prince and she can't have him. Sorry! He's going to be king some day and at best she will be court wizard. And it would be a downer to have her end up with nobody. So I am working on someone she can have. But it's not easy, when you realise a story isn't working sixty thousand words in. So I kind of understand the romantic triangle in YA. 

I admit I prefer romantic comedy to tragedies. Life is too short anyway without having it cut off over love. Sorry, Romeo and Juliet! Your story is too sad for me. My favourite character in that is Mercutio and what does Shakespeare do? Kills him off! I did once read a short story whose author I can't remember in which Mercutio is rescued by Rosaline, the girl Romeo was pursuing at the start of the play. She thinks Romeo is a puppy and much prefers Mercutio, who comes to woo her on his behalf. They save Romeo and Juliet just in time, marry and keep the bronzed head of Tybalt. Pure wish fulfilment on the author's part and Shakespeare would no doubt have some rude, witty things to say about it, but still....

By the way, I'm sure we all remember the comical Valentine's Day chapter in Harry Potter And The Chamber Of Secrets, where all the girls send Valentines to that fraud Lockhart and Harry is held down by force by a tough dwarf to listen to a Valentine from Ginny. (Well, he does end up marrying her many years later)

So, that's my Valentine's Day post, the best Î can do in bed early on a Saturday morning. Anyone else got some romantic favourites? 

All images in this post are public domain.



Thursday, February 12, 2015

The Awesome Book Of Awesomeness by Adam Frost. Ill. Dan Bramall. London:Bloomsbury 2014

                                                 

So, have you ever wondered what would happen if everyone bitten turned into a vampire who then bit more people? I know I have, whenever I see those vampire movies or read a book on the subject. How long before the undead starved to death? What's the world's most preyed-upon animal? (The rabbit. And this book gives you a depressingly long list of the rabbit's enemies, apart from us.) what are the five most common dreams? One of them, being late for an exam, is mine - well, actually, it's more often having to sit an exam for which I haven't studied, but still...

This book is a smaller, cheekier version of the Guinness Book Of Records, the kind a child can take home and enjoy by themselves instead of heaving it off the shelves in the library at lunchtime. And there's more than just "world's largest gemstone" (a 536 kilo emerald displayed in Hong Kong in 2009) or "the world's loudest burp" (expelled by Paul Hunn in the UK, AUGUST 2009, a staggering 109.9 decibels, a lawn mower being only 105). There's "how hot is a chilli pepper on the Scoville scale?" And "Who pulled a 1500 kg car with his eyelids?" And more. 

Children will love this little book of trivia and Dan Bramall's delightful illustrations complement the bits of trivia perfectly.

Absolutely recommended for children of all ages, if they can pry it out of your fingers.