Browsing My Old Trek Fanzines

Anyone reading this who knows me personally or has been following this blog for long enough will be aware that I was once a writer of media fan fiction - Star Trek (mostly the original series, though I did write a few crossovers when the first spinoff came out. Just a few.  And that was because original-series characters sometimes appeared in STNG). Blake's 7, a series fondly remembered by anyone old enough to have seen it and probably unknown to others, except the occasional child named Cally, Dayna or whoever, after a character in the show. One or two Dr Who stories. Quite a few based on the fantasy series Robin Of Sherwood, though I was put off the fan fic of that universe when so many writers got enthusiastically into The White Goddess for their inspiration. I mean, I love The White Goddess, but you can overdo it. And most of them really hadn't done their research. I at least did. And when I published my own Robin Of Sherwood fanzine, Under The Greenwood Tree, I asked a contributor to rewrite just a bit to fix a glaring historical inaccuracy. 

But mostly Star Trek. Today I found an issue of the Austrek club fanzine, SPOCK, which was published until Paramount started to close down fanzines based on the series, in countries where there wasn't the loophole that allowed other countries to continue publishing. While Gene Roddenberry was alive, he allowed it, unofficially. But he was dead.

This one, #57, was edited by Wendy Purcell, a fine artist in the club. In the centre is an art portfolio, by her and others, dedicated to the issue's theme, "the women of Star Trek". I had a story in it, in case you're wondering. It was inspired by the episode "The Enemy Within" in which Captain Kirk is split into two separate people, one totally good, but wimpy, one totally nasty but decisive. My version was set in the nasty Mirror Universe.

I thought it might be fun to go through the table of contents and see who has gone on to bigger and better things.

Helen Sargeant, now known as Helen Patrice, contributed a short piece called "Beginnings". Helen later wrote quite a bit for a women's magazine, Australian Women's Forum. Okay, it was a DIRTY women's magazine - Helen always said that she was good at this particular form of writing and they paid well. Why not? More recently, she has released two volumes of science fiction poetry. Helen was a regular contributor to SPOCK and we even co-edited an issue once.

Tracey Oliphant eventually sold a five book fantasy series under the name Kate Jacoby(there was already a Tracey Oliphant on the publisher's books). Her contribution to this issue was called simply "Chess".

Geoff Allshorn isn't a writer as such these days, but is working on a Master's degree in history.

Robert Jan, another regular contributor, whose work in this issue is in the art portfolio,  concentrates on costuming, at which he is very good. He also has a long-running radio show about SF on community radio and interviewed me when Wolfborn came out. I think he may have had some art in the revised, updated edition of the Star Trek Concordance. His partner, Gail Adams, is also a wonderful artist. She has some illustrations in this issue and did the cover. Gail is also a costumer, who  produces costumes good enough to wear in the street. Both of them are well known in the fan community.

The biggest success is George Ivanoff who, after doing around sixty books for the education publishing industry, is gradually making a mark in the trade industry. In other words, he's making a living out of his writing, something rare in Australia. 

Art was contributed by Marianne Plumridge, some of whose paintings I am lucky enough to own. She married a well-known American cover artist and moved to the States, where she makes money out of her own artwork. 

There are others, in other issues, but this is the one I happen to have on me.

I love fan fiction, though not so much what I've read in recent years. Many of my high school students are regular readers of fan fiction online and some write their own. It's nice to know the old, old tradition is continuing and wonderful how much more you can read now, in any universe you like, but it's just not the same. I'm sorry, it's not. I loved the entire process of putting together a fanzine or picking up one at SF events or even from overseas. It was a community thing in a way it isn't now. I'd receive my contributor's copy fanzine and curl up in bed with it to read the latest adventures of whoever the characters were. I think these days the equivalent - at least here in Australia - is the small press stalls you see at every con.

To be honest, the fact that you CAN get so much fan fiction now is as much of a disadvantage as a good thing. It means you have to wade through  a good deal of rubbish before you find a story you enjoy. At least the print fanzines acted as a filter, through their editors. You soon got to know which ones were wonderful and which you'd never read again. 

And with most fan writers going under pen names it will be a lot harder to work out who has gone on to bigger and better things in the current generation of fan writers, though I'm assured it has happened. One successful YA novelist, I hear, once wrote Harry Potter fan fiction. 

I won't know about others, though, unless someone tells me.

Any fan fic fans out there? Anyone who can tell me about former fan writers who are now in print? 

**Just thought of one you have probably thought of too, but won't mention her name. You can, though. Go ahead!**